Assiti Shards effect

An Assiti Shards event is a fictional technique or literary mechanism in effect similar to an hypothetical time machine, both in that it sets the stage for a fictional story line removed from the world as we experience it, and with the extended relation that unlike the many stock variations on time travel which affect at most a handful of characters, the technique transports many characters en mass into a new timeline.

Unlike characters voluntarily stepping into a time machine, characters who undergo a strike by an Assiti shard do so involuntarily, and are accompanied by a large mass of surrounding terrain &mdash; described as a spherical volume of three to four miles (5 km–6 km) radius Flint, Eric, "Prologue",, p. 72, [Stearns addressing the emergency town meeting]: "You all heard what [science teacher] Greg Ferrara said earlier. He estimates the the disaster&mdash;the Ring of Fire&mdash;yanked an area about six, maybe seven miles in diameter with us."  in the case of the first novel using the technique&mdash;of which space, about half is above and half is below local planetary surface level thus encompassing a large volume of atmosphere and local mineral deposits. In 1632 (novel), that spherical volume from West Virginia originating in our year 2000&mdash; along with the almost negligible mass of the fictional town of Grantville, West Virginia and all its people &mdash; was exchanged with a depopulated sphere of air and ground from the rural German region of Thuringia of May 1631 in what is described in the books as a "Ring of Fire"&mdash;a phenomena appearing as the biggest sheet lightning display anyone had ever seen.

Background, the 1632 phenomenon
The mechanism was conceived and created by historian/science fiction author/editor and e-publisher Eric Flint in his solo novel 1632 wherein he himself considered it an experiment in a means of setting up a plausible background for alternate history stories. He had in fact planned several other novels using the technique for the early 2000s which were interrupted and delayed by the excitement caused by the first successful use. The storyline conflict created by using the technique caught the imagination of the reading public and forced the resultant secession of best selling sequels &mdash;undertaking the necessary historical and technical research once the novel came out was not in Flint's plans in 2000&mdash;the public demand for more therefore begat the subsequent 1632 series which has burgeoned in the years since to an alternate history book series that has ten works in print, four more in production, ten others in e-zine format, and continues to build up a following. Atypically, the sales for lead and other novels in the series continues to build in sales, instead of dying off almost completely after a couple of years as is normal in publishing sales. <!-- The 1632 series, or Ring of Fire series, or "Assiti Shards series" as of October 2007 has ten sizable works in print&mdash;all but one being released first as a hardcover edition, and has lately begun reaching a pace of 3-4 titles in hardcover releases per year with many others under contract. For several years, short fiction e-published in The Grantville Gazettes had been the only thing satisfying the public's thirst for stories in the series due to research and writing schedule bottlenecks and that "experiment in publishing" was itself reformulated in May of 2007, given its own website and is itself hitting a new faster stride at the pace of one e-zine per every other month. It had gradually built up from a few per year in 2004 to a target of four per year, which it only reached in its last year as a Baen published enterprise. That run ended with Grantville Gazette X, and the publishing of the canonical sub-series is now fully under Flint's control.

In part, that prodigious pace is because most of the series has become co-authored works of one sort or another&mdash; about half of which are heavily critiqued fan-fiction under the watchful eye of Flint in the Gazettes, but those stories are now being remunerated at somewhat better than typical pay rates when they'd begun paying semi-pro rates&mdash; the creator having decided early on in the internet buzz and discussion cycle on the publisher's author-to-fan web forum 1632 Tech Manual to let the milieu become a shared universe while controlling the canon as either co-author or editor. The delays in additional works in the early years of the series were due to working out likely historical developments, technological requirements, and deep historical research. A large part of the appeal of the series is it's verisimilitude, its fidelity to the way people interact with politics and all that realism in the neohistory of the 1632 parallel universe is only now possible because the boundaries and research issues have been defined and refined in discussion with contributions by hundreds on Baen's Bar.

(plural) are several loosely related books in the literary subgenre alternate history of science fiction planned around a kind of cosmic accident. Each story-line is based in a different milieu—its own alternative world (see [[multiverses)—and each is generated by an Assiti Shards accident or Assiti Shards Event, which is the literary mechanism coined by author Eric Flint in that ties them all together.

Some literary mechanism to create time travel and parallel universe tales in speculative fiction genre are quite common. There are time machines and dimensional gateways and in fantasy, magic. Flint's mechanism is a kind of cosmic accident due to the carelessness of an advanced alien civilization, the Assiti, who in the process of creating multi-dimensional "Art" in the space-time continuum are simply, careless. Too uncaring of lesser peoples to exercise care with side effects from the "shards" of their art.

Two factors make an Assiti shard strike somewhat unique are that they have a wide scale of effect&mdash;affecting many people in dozens of square miles, and secondly, are totally unexpected and unplanned for by the people caught up in such a region who are jolted out of their daily lives by what they describe as a "Ring of Fire". The mechansim, in fact, affects a spherical volume of space on either end of the regions which exchange places.

The mechanism was first used in the in the novel 1632 (February 2000) and the "Ring of Fire" in that novel was estimated by those who experienced it to be six to seven miles in diameter. The fact that the Assiti Shards event results in a new fictional parallel universes is an old theme in science fiction given such a departure point and the story of thereafter is about how the small town of Grantville is affected by a war torn Europe emerging slowly into the Modern era and how Grantville affects the history of the new universe. --->

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The Assiti Shards series is several loosely related book series in the literary subgenre alternate history of science fiction. Each story-line is based in a different milieu—its own literally alternative world (see multiverses)—and each is generated by an Assiti Shards Event, which is the literary mechanism that ties them all together.

This mechanism first published in February 2000 in the novel 1632 and the fact that the Assiti Shards event results in a new fictional parallel universes is an old theme in science fiction in its way. But the new wrinkle in literature conceived and created by historian/science fiction author/editor Eric Flint is to create a mechanism that simultaneously transposes two regions in vastly different time frames, or more than two if more than one Assiti shard strikes the earth. Thus in the forthcoming 1776 historical characters from Europe and America both find themselves else-when and else-where, creating an alternate history novel similar to the 1632 series. In By Any Other Name, Flint uses the mechanism a bit more traditionally for science fiction writing, and it is not just an alternate history, but also a traditional science fiction tale wherein some of the storyline none-the-less takes place in Elizabethan England and the title is pure Shakespeare, who puts in an appearance, as do the mysterious shadow race, the Assiti.

In general, only the newly minted creative literary mechanism is common to the respective various milieus which take place as seen by the protagonist of these tales in a different place and time. Only the initial foray, the 1632 universe (or colloquially: the 1632verse), as an example this sort of work is currently in print, but two others are in long delayed production.

Originally conceived as a series of successive "one-off" (stand alone) alternate history novels exploring historical and political themes through juxtaposition of societies and figures, the original planned sequence of stand-alone novels by Flint were delayed and somewhat modified as his initial unveiling of the "Assiti disaster mechanism" succeeded in launching the readers so deeply into the story conflict—that the detail of how the conflict began paled to insignificance—as the milieu's self-generating conflicts captured the imagination of a wide public who literally demanded more on the web forum Baen's Bar and effectively derailed the author's planned works for several years. This effort was so successful that the additional "semi-related" works in planning and crafting were suspended but not abandoned by the author—put off by the popular clamor for more tales from in the first milieu which is set in the year 1632 in the Holy Roman Empire (Germany). This just happens to be essentially at "ground zero" in the middle of the Thirty Years' War which makes for an intriguing beginning with a lot of room for further developments, and the demands for more.

The Assiti mechanism literary vehicle
The question of whether the double-punctuated-discontinuity characteristic of an Assiti Shards event will become a stock literary vehicle for other authors that may "borrow" the literary mechanism is moot at this early date a mere six years from its first use. In science fiction it is entirely likely that it will be borrowed eventually and it is unimportant as is whether the new mechanism will lead to other successes in other such created milieus planned and created by its author-inventor Eric Flint. As any such future deed now pales to insignificance in the face of the demand for more works, "as soon as possible", in Flint's first Assiti derived milieu—the 1632 series. So future successes matter not compared to the outstanding success of the original occurrence, relegating such questions to academia or mere speculative conjecture.

One outcome of the popularity of the resultant unplanned series was that its advancement became an experiment in massive collaborative authorship and mutual editing, as the so-called 1632verse milieu concept resonated strongly enough with the readership that it encouraged a frenzy of historical research and additional creative works by fans (fan fiction) of the first novel, 1632. This in quick succession generated what is now 10 works in six years, with many others in the pipeline, so the success of this mechanism as a plot motivator is clearly self-evident. --> The basic premise of the mechanism is that a set of space-time exchanges occur to two different "place-times" on the same planet, our earth (thus far), which in effect create multiple universes per any of several theories extant in science. In the literary implementation, these consequent splits in the time line of earth are merely a side effect or by-product of the shadowy alien Assiti race's favorite art form, which is somehow performed in multidimensional space-time. Exactly what sort of art and why exactly they cause convolutions of the space-time continuum are not revealed save the side-effect is the careless accidental result of a "shard" (implying breakage of something) striking the earth. Save for a snippet noting that the Assiti will be called to account for such careless "play" in the future—a far off future—the reader is left to speculate and the author proceeds with the resulting plot circumstances into a sudden "encounter" or deal-with-this situation type of story beginning. This is not unlike other literary mechanisms or plot starts involving time travel. One large subset of those include the protagonist having no control over a possible return to his start time, and this is in fact shared by the Assiti shard event—the time trip is irreversible, the protagonists must sink or swim—at least pending further words from the author.

Physically, these exchanges transitionally take on the appearance of a sphere of "heatless flame" or "fire" that transposes two large sphere-shaped spaces (measured in miles of diameter) from their own respective times and places. As seen from within, the phenomenon is eponymously described as a Ring of Fire as the heatless flame manifests much more visibly at the air-ground interface thus appearing as more of a ring from within. Thus, this feature gives the title Ring of Fire to the third book in the first series utilizing this literary mechanism. <!-- Two other entirely different books—besides this initial Ring of Fire Universe or 1632verse—using the same literary mechanism are in production, and they have also been replotted to accommodate demand—they are and will be multiple works set in their own respective Assiti Shards Milieu. These have actually been long delayed by the success of the first 1632 novel, and consequent necessity to research and make happy the demands for more, as the first work was conceived as a stand-alone novel initially while plotting and planning these other milieus back in 2000–2001.

1632verse
The first book beginning the various Assiti Shards Multiverses is part of the alternate history book series which details what occurs when a town from our year 2000 is transported in space-time to Early Modern Era Germany 369 years in the past. This Grantville Event, a term coined during the sensational press coverage over the disappearance of a whole town was likened to the Tunguska event by its scientific inexplicably, caused the six-mile diameter hemispherical region centered on the town to arrive in the local year 1631.

In the tale, it takes only a short while for repercussions of modern technology and attitudes to impact the medieval society into which it is forever chained. Over a period those successive changes build toward a series of successive crises and triumphs intertwined in the Thirty Years' War, and as the sequence of events reaches well into the next year, 1632, the culmination of factors present a dichotomousness quandary of survive or adapt and the climactic series of events and surprising decisions and end leave the reader up beat and sanguine.

Because the book title corresponds to the end year of the story this line of alternate history, a type of parallel universe was created with no return, is called the 1632 universe, more commonly shortened to just 1632-verse. This literary term is shorthand for the milieu, and similar equivalent terminology has been coined to refer to the book series and the new universe's timeline, known as the 1632 series and the Ring of Fire timeline, respectively. Alternatively, the new sequence of events is called the Grantville or 1632 neohistory, to make it plain whether a reference is to actual history or the given fictional milieu.

Grantville event becomes a phenomenon
In this first Assiti type story, told in the novel 1632, a near empty region on the fringe of the Thuringian Forest (German: Thüringer Wald), was exchanged with the greater-Grantville region of equal size from West Virginia—on the afternoon of May 31, 2000 and to the afternoon of May 31, 1631. All of the disaster was due the irresponsible dangerous "arts practices" of the advanced alien civilization known as the Assiti. Only a little has been revealed in print about this shadowy race, but for one key propensity: The Assiti love their perilous artform and will go on practicing it no matter how many disjoint side-effects develop on populated worlds, which are another Assiti Event, to the peril of all unlucky to be near.

Thus the Assiti notoriety began to spread as the stand alone one of a kind novel 1632 attained modest early sales typical to and expected by newer writers in a genre, but there was a lot of talk on the internet about the book. The sales did not level out and drop off in the normal way, but instead continued to slowly grow. The internet "buzz" became very loud on Baen's Bar, a meeting place for science fiction fans, and when it was revealed that no sequel had been planned, there was dismay. Much of the chatter was of the typical "what if" variety, focused on the subsequent history of tiny beleaguered Grantville. Various historical threads became common themes, and greater numbers of people began frequenting the bar, so it spun off a dedicated forum just to handle the buzz; then a second one, and the author busy with other projects, but bemused by all the fuss began to join the regulars, self-styled as Barflies and all the while the novel continued selling. Other authors began to drop in. Some fans grew tired of waiting and started to produce their own stories. Publisher Jim Baen thought some of them were promising indeed, and agreed to underwrite a third forum just for peer review purposes—which he and author Flint agreed to stay out of, reserving the copyrights to the authors.

The novel caused a small community centered on the website of Baen Books to arise, and essentially demand that Baen and author Eric Flint produce a sequel. This is not uncommon in a series, but it usually happens over a much longer timespan before a publisher will back a sequel.

Thus bolstered by the fan support and armed with reams of potential storylines from the websites speculative story threads, Flint and best selling author David Weber jointly agreed to undertake the complexity of a sequel based on workings of fans and the implications of the novel's scenario.

Further speculations were encouraged by the author, as they reinforced the main theme of the novel: the resourcefulness and idealism of the average 21st century small-town American. Other speculations centered on the shadowy Assiti, and Flint's toolbox grew in the synergy of creation undertaken by enthusiastic and creative fan hunger which he deftly guided past inconsistent pitfalls with his historian-understanding of the underpinnings of the society and cultural realities he had sentenced Grantville to overcome or perish. But Eric Flint while being led into the project had a clear idea of how much he owed to the fans and being a gambler, while plotting the sequel decided to do something unique and history making—he invited other established authors inside and outside of Baen's stable to contribute to an anthology which he would edit while concurrently jointly producing a targeted writers' guideline, style sheet and milieu technical manual. These things are normally an author's private preserve, but he had issued a blank check to nearly twenty highly skilled writers, and they helped him refine all of it. The result was the two best sellers 1633 and Ring of Fire, the later being uncharacteristic in shared author's milieus for being the first to let the visiting author actually determine the main story line thread or threads. Normally, such visitors play safely off to the side somewhere where the series owner has no plans or interest in further developing.

They in turn helped form and shape the "big novel" sequel so long awaited. As the sequel's various projects gelled and became production, Flint made another bold move to honor and acknowledge his debt to the fans who'd helped in so many ways to get the complex task get off the ground. Along with Jim Baen who was appropriately enough exploring the novel new area of electronic online publishing, Flint announced that he would edit an ebook of fan fiction as a tentative experimental matter, and Jim Baen agreed to underwrite the matter. This first experiment was such a thorough success, that a second ebook was agreed upon, and the first was announced to be so good that Baen would publish it as a paperback, becoming The Grantville Gazette.

Thus although sequels to 1632 were not originally planned, enthusiasm eventually caused Eric Flint (with David Weber) to produce 1633, a novel incorporating ideas and characters developed by his fans. Continuing in this vein, no fewer than three novels set in 1634 are planned, with one published (1634: The Galileo Affair). In addition, Flint now edits The Grantville Gazette, an authorized series of fan-written works set in the "1632verse". Although not part of the original plan, these volumes are also considered Assiti shard works.

The Assiti shard sequence has thus become an experiment in massive collaborative authorship. Although Flint maintains overall creative control, many details of his setting have now been parceled to first-time authors. The small society has developed its own institutions, such as its own "slush pile" for beta-testing stories and "grid" for keeping track of characters.

Other worlds in the Assiti Shards sequence
Although 1632 by Eric Flint was written as a stand-alone novel in 2000, Flint had planned several other universes using the Assiti Shards story premise. However, the sensation and interest engendered by the 1632 novel's publication subsequently caused the other works to be delayed while the 1632 series was developed. The other books in the overall Assiti Shard series currently under contract are
 * Timespike, with Marilyn Kosmatka, publication scheduled for May 2008.
 * 1776, a solo novel, original name was 1781.
 * By Any Other Name, with Sarah Hoyt, first draft complete.

According to Flint, "The above is the probably order in which the books will be published, because Jim Baen really wants the 1776 novel as soon as possible".

1776 supposes George Washington and Frederick the Great are transposed to ancient Rome's Crisis of the Third century; By Any Other Name, takes place in several different time frames including a transposition of the Assiti themselves into Elizabethan England; and Timespike, a transposition of various populations into the unpopulated late Cretaceous era (145-65.5 million years ago), which would put the milieu well before any known forbearer of Homo (genus), and maybe before the extinction of Dinosaurs.